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Chicago Open Studios, 2025

April 26 @ 4:00 pm - 10:00 pm CDT

Free

Join us Saturday, April 26th from 2-10pm.

2233 S Throop Street Chicago, IL 60608

 

Mana Contemporary Chicago and Monira Foundation are pleased to announce our Spring Open Studios.

We invite you to tour the current exhibitions, meet our studio artists, and attend our presentations! This event is free and open to the public.

 

EXHIBITIONS – on view throughout the duration of the event!

Purvis Young

Monira Foundation proudly presents Purvis Young a year long exhibit at Mana Contemporary Chicago. Curated by Ysabel Pinyol Blasi.

Young was self-taught, producing a remarkable number of works over his lifetime that convey rich scenes—at once pictorial and spiritual—of his life spent in the inner-city Miami neighborhood of Overtown. Informed by an early practice of drawing from life, Young began making paintings in the 1960s. Blending techniques of painting, drawing, and collage, Young collected discarded materials found on the streets and in abandoned buildings across his locale to incorporate as the surfaces for his work. Elements of action, figuration, and storytelling are laid over a series of structural devices, activating the ways in which the found materials onto which Young painted would serve to frame the images placed upon them. While some of these panels are smoother or more straightforward in proportion, others approach a mode of assemblage that reflect the variable and multi-layered narratives found across the artist’s work. The materiality of Young’s paintings reflects the artist’s own relationship to architecture, place, and time in Overtown. This sense of site-specificity is translated when encountering the works in person, whereby the panels offer a certain reconstruction of the environments from which they once came.

Young’s use of repurposed materials also speaks to the artist’s long-running ecological concerns, which are often expressed in the imagery of his works. At the beginning of his life, Young was witness to a time of political and social upheaval, including the civil rights movement as well the Vietnam war and the spirit of mass protest against it. Coming into adulthood, he was of aware of the large outdoor murals created by artists in Detroit and Chicago. Young began attaching his own panels to the front of abandoned buildings, doubling as a kind of material return for the work itself. Around 1972, Young began his large-scale outdoor project known at Goodbread Alley, which he filled with innumerable paintings over time on a rotational basis. Coupled with Young’s choice of this particular mode of presentation for his works, he considered the paintings to be fine art, and would most often sign his name on the front of the image.

 

Fledgling 

A Mana Highlight Wall by Mickey Alice Kwapis

Fledgling is a culmination of all of the blueprints I have made during my time at Mana so far, an ever-expanding collection representing the passage of my time as an artist and three generations of falcon families. I love watching the babies as they grow up, start losing their fluffy white down, and learn to fly before they finally leave for good, often feeling like one of those awkward teenage birds who hasn’t developed confidence but knowing I just need to spread my wings and see what happens when I put my most vulnerable art out into the world.

Night Car Play 

A Mana Highlight Wall by Marzena Abrahamik, Jonathan Michael Castillo and Tom Van Enyde

Girl Play: explores the intersections of femininity, cannabis culture, and visual representation, proposing a speculative framework through which the figure of the female stoner emerges as both subject and symbol. Operating within fantasy and icon-making, the work draws on the constant political battle that revolves around the mutable sociopolitical conditions surrounding cannabis and women’s autonomy— subject to juridical reinterpretation and cultural anxiety.
Car Culture: Jonathan Castillo: Drivers Being Photographed in Their Cars Anyone who knows Los Angeles will tell you that you won’t get too far navigating the sprawl of that city without a car. Some cities are walking cities, and others are knit together by an extensive network of public transportation. LA, on the other hand, seems made for the automobile. You can’t get from Point A to Point B without one it would seem, given the distance between those points. This constant and necessary human/vehicular relationship is central to Jonathan Castillo’s photographs of Angelenos in their cars. Through a series of astute creative choices he has taken this ordinary and mundane everyday situation and imbued it with a level of drama that commands our attention. Jonathan Castillo is not the first photographer to take on this subject. Michael Spano has done so in New York City, and Chris Dorsey-Brown has made pictures in London of the occupants of cars caught in everyday traffic. But Castillo has devised a setup that imbues these photographs with an engaging quality of what might be called staged fact. Using a strobe mounted on a second car, driven by a companion, while securing his weighted down tripod mounted camera in the back of his own car, conveniently a hatchback that allows for this setup. A radio trigger connecting camera to strobe completed the necessary equipment with which to activate this project. While raising the mundane to a level of quiet but heightened drama, via the use of the directed flash, Castillo has also given us a sense of the broad population demographic that inhabits Los Angeles; the vehicles range from luxury cars, to chic little foreign numbers, along with the occasional mail truck and aging family van. As such there is a narrative that attaches to these pictures that gives us an even greater social sense of the place while allowing our imaginations to craft a narrative for each of the persons ensconced within the space of their vehicles. These photographs also make us wonder, of course, what we look like as we inhabit the space of our own vehicular environments. As such Jonathan Castillo’s photographs join the long history of pictures that go a long way towards revealing the human community to itself. Dawoud Bey Chicago, IL January 2020
At Night: This portfolio is part of a on going exploration of common place objects separated form the context of their landscape. This removal allows us to see the object in a new way. I love the idea of wandering through the darkness of night, coming on something illuminated by the light of the camera for but a split second, then living as an afterimage in your mind then it’s capture as a photograph. My influences run from Alfred Stieglitz “Equivalent Series, to Edward Weston’s Peppers and Minimalist art. Please don’t try to figure out the object use, enjoy a little mystery!

 

Details

Date:
April 26
Time:
4:00 pm - 10:00 pm CDT
Cost:
Free
Website:
https://monirafoundation.org/open-studios-23/

Organizer

Monira Foundation
Email
info@monirafoundation.org
View Organizer Website

Venue

Mana Contemporary Chicago
2233 S Throop street
Chicago, United States
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